BWV 984
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BWV 984
Apart from his orchestral keyboard concertos and his solo organ concertos, Johann Sebastian Bach composed keyboard concertos for unaccompanied harpsichord: * Most of his Weimar concerto transcriptions, over twenty arrangements of Italian and Italianate orchestral concertos which he produced around 1713–1714 when he was employed in Weimar, were written for solo harpsichord ( BWV 592a and 972–987). * Two decades later, some ten years after he had become in Leipzig, he wrote a concerto for two harpsichords, BWV 1061a, which was later orchestrated as BWV 1061. * The ''Italian Concerto'', BWV 971, was published in 1735 as part of his '' Clavier-Übung II''. Weimar concerto transcriptions In his Weimar period, Johann Sebastian Bach transcribed Italian and Italianate concertos. Most, if not all, of the concerto transcriptions for unaccompanied harpsichord were realised from July 1713 to July 1714. Most of these transcriptions were based on concertos by A ...
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Italian Concerto (Bach)
The ''Italian Concerto'', BWV 971, originally titled ''Concerto nach Italiænischen Gusto'' (''Concerto in the Italian taste''), is a three-movement concerto for two- manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 as the first half of Clavier-Übung II (the second half being the ''French Overture''). The ''Italian Concerto'' has become popular among Bach's keyboard works, and has been widely recorded both on the harpsichord and the piano. Context An Italian concerto relies upon the contrasting roles of different groups of instruments in an ensemble; Bach imitates this effect by creating contrasts using the ''forte'' and ''piano'' manuals of a two-manual harpsichord throughout the piece. Related works Along with the ''French Overture'' and some of the ''Goldberg Variations'', this is one of the few works by Bach which specifically require a 2-manual harpsichord. However, it is not unusual in being a solo keyboard work based on Italian concer ...
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Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ...
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Italian Concerto, BWV 971
The ''Italian Concerto'', BWV 971, originally titled ''Concerto nach Italiænischen Gusto'' (''Concerto in the Italian taste''), is a three-movement concerto for two-manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 as the first half of Clavier-Übung II (the second half being the ''French Overture''). The ''Italian Concerto'' has become popular among Bach's keyboard works, and has been widely recorded both on the harpsichord and the piano. Context An Italian concerto relies upon the contrasting roles of different groups of instruments in an ensemble; Bach imitates this effect by creating contrasts using the ''forte'' and ''piano'' manuals of a two-manual harpsichord throughout the piece. Related works Along with the ''French Overture'' and some of the ''Goldberg Variations'', this is one of the few works by Bach which specifically require a 2-manual harpsichord. However, it is not unusual in being a solo keyboard work based on Italian concertos. ...
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BWV 595
The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar. While there is no doubt about the authenticity of BWV 592–596, the sixth concerto BWV 597 is now probably considered to be spurious. Composed during Bach's second period at the court in Weimar (1708–1717), the concertos can be dated more precisely to 1713–1714.Boyd 2006pp. 80–83/ref>Breig 1997Jones 2007pp. 140–153/ref>Williams 2003pp. 201–224/ref>Schulenberg 2013pp. 117–139and footnotepp. 461–3/ref> Bach also made several transcriptions of Vivaldi's concertos for single, two and four harpsichords from exactly the same period in Weimar. The original concertos were picked from Vivaldi's Op.3, ''L'estro armonico'', composed in 1711, a set of twelve concertos for one, two and four violins. The publication of these Bach trans ...
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L'estro Armonico
''L'estro armonico'' (''The Harmonic Inspiration''), opus number, Op. 3, is a set of 12 concertos for stringed instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1 (Vivaldi), Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2 (Vivaldi), Twelve Violin Sonatas, Op. 2, only contained sonatas, thus ''L'estro armonico'' was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and basso continuo, continuo. The continuo part was printed as a figured bass for violone and harpsichord. The concertos belong to the ''concerto a 7'' format, that is: for each concerto there are seven independent parts. In each consecutive group of three concertos, the first is a concerto for four violins, the second for two violins, and the third a solo violin con ...
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Wanda Landowska
Wanda Aleksandra Landowska (5 July 1879 – 16 August 1959) was a Polish harpsichordist and pianist whose performances, teaching, writings and especially her many recordings played a large role in reviving the popularity of the harpsichord in the early 20th century. She was the first person to record Johann Sebastian Bach's ''Goldberg Variations'' on the harpsichord in 1933. She became a naturalized French citizen in 1938. Life and career Life in Europe left, alt=Polnische Frauen, Polnische Frau, femmes polonaises, Polish women,mujeres polacas, Leonid Pasternak. ''Concert of Wanda Landowska in Moscow'' (1907), a pastel from the Tretyakov Gallery. Landowska was born in Warsaw to Jewish parents. Her father was a lawyer, and her mother a linguist who translated Mark Twain into Polish. She began playing piano at the age of four, and studied at the Warsaw Conservatory with the senior Jan Kleczyński and Aleksander Michałowski. She was considered a child prodigy.Kottick, Edward L ...
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BWV 592
The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar. While there is no doubt about the authenticity of BWV 592–596, the sixth concerto BWV 597 is now probably considered to be spurious. Composed during Bach's second period at the court in Weimar (1708–1717), the concertos can be dated more precisely to 1713–1714.Boyd 2006pp. 80–83/ref>Breig 1997Jones 2007pp. 140–153/ref>Williams 2003pp. 201–224/ref>Schulenberg 2013pp. 117–139and footnotepp. 461–3/ref> Bach also made several transcriptions of Vivaldi's concertos for single, two and four harpsichords from exactly the same period in Weimar. The original concertos were picked from Vivaldi's Op.3, ''L'estro armonico'', composed in 1711, a set of twelve concertos for one, two and four violins. The publication of these Bach tran ...
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Giuseppe Torelli
Giuseppe Torelli (22 April 1658 – 8 February 1709) was an Italian violist, violinist, teacher, and composer of the middle Baroque era. Torelli is most remembered for contributing to the development of the instrumental concerto., especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets. Life Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti. On 27 June 1684, at the age of 26, he became a member of the Accademia Filarmonica as ''suonatore di violino''. He was employed as a viola player at the San Petronio basilica beginning in 1686, where he stayed until 1695. or January 1696. when the orchestra was discontinued because of financial constraints. On 1687 Giuseppe Corsi da Celano played Torelli's music, from Op. ...
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Oboe Concerto (Marcello)
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down. Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version ...
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BWV 974
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down. Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version. ...
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Twelve Concertos, Op
Twelve or 12 may refer to: * 12 (number) * December, the twelfth and final month of the year Years * 12 BC * AD 12 * 1912 * 2012 Film * ''Twelve'' (2010 film), based on the 2002 novel * ''12'' (2007 film), by Russian director and actor Nikita Mikhalkov * ''12'' (2003 film), by American filmmaker Lawrence Bridges Literature * '' 12: The Elements of Great Managing'', a 2006 business book by Rodd Wagner and James K. Hartjker * ''Twelve'' (novel), 2002 novel by Nick McDonell * ''Twelve'', a 2007 novel by Lauren Myracle, part of ''The Winnie Years'' * Twelve (publisher), an imprint of Grand Central Publishing * ''Twelve'', a 2009 novel by Jasper Kent Music * ''12'' (The Notwist album), 1995 * ''12'' (Herbert Grönemeyer album), 2007 * ''12'' (Keller Williams album), 2007 * ''12'' (Fiskales Ad-Hok album), 2009 * ''12'' (ASAP Twelvyy album), 2017 * ''12'' (Sloan album), 2018 * '' 12 (American Song Book)'', Mina album, 2012 * ''12!'', Sonny Stitt album, 1972 * ''Twelve'' (Cob ...
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